Bold, bright, bare. Provocative, sexy and uncanny. Strangely come together to describe Theritch’s multidisciplinary persona. The trio apposed adjectives are heightened by the odd later element. Much like an haiku, the ‘cutting word’ at the end emphasis the semantic contrast. However, nature isn’t the centre picture rather human condition, turning these closer to a senryū. Not only for the metrics’ mismatch but also for the dark humorous style concealed in Theritch’s body of work. Master in design, Theritch thoroughly conceives his work to merge visual and theoretical archetypes into an anarchitecture concept. Alluring its viewers to emancipate themselves from mere spectators to active agents within a communal performance where the assimilation of the work depends intrinsically on the observer’s engagement, aspiring to dissipate the boundaries between art and life. Theritch focus his practice in destroying encapsulated aesthetics by shying away restrictive traditional norms, nonetheless, taking in itself vestiges and traces of what is leaving behind conquering its own artistic language in a minimal overlook aesthetic.