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Inês Norton
Visual Artist
Lisboa, Portugal
Ines Norton (Portugal, 1982) has participated in several exhibitions, both solo and collective, national and international, including: Triennial of Luanda (Luanda, Angola), “Periplos”, CAC Málaga Museum, (Málaga, Spain); São Tomé Biennial, Camões Institute (Luanda, Angola), Art Forum Copenhague (Copenhague, Denmark), Factory Art (London, UK), Convent St.Agosti (Barcelona, Spain), Cerveira Biennial (Cerveira, Portugal), Miguel Justino Gallery (Lisbon, Portugal), “Panorama”, curated by Adelaide Ginga (Lisbon, Portugal), “Do que permanence”, curated by Carolina Quintela, UCLA, (Lisbon, Portugal), “Trabalho Capital”, curated by Paulo Mendes (São João da Madeira, Portugal), “Life still life” curated by Alexandre Melo, Presença Gallery (Oporto, Portugal), Active Sintese, Braga Forum (Braga, Portugal), “Remote”, curated by SP55 (Lisbon, Portugal), “Please (do not) touch”, curated by Adelaide Ginga and Emilia Ferreira, MNAC (Lisbon, Portugal), among others. Her works are present in several Public Collections and Private Collections, including: CAC Málaga Museum, Spain;  Luciano Benneton Collection, Italy; Sindika Dokolo, Angola; Atlantic Private Bank, Angola; Camões Institute, Angola; Figueiredo Ribeiro, Portugal; Museum Biennial of Cerveira, Portugal; National Museum of Contemporary Art, Portugal; Otiima, Portugal, among others.
   I create, believing that art is the path less obstructed to experiencing, which taps in to that millionth of a second prior to the impulse to create barriers and create concepts, that I call the truth.